Wyniki wyszukiwania dla frazy "Poland and Czechoslovakia - artistic contacts"
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
Beyond the Paradigm of Post-1989 Feminist Art History: Researching All-women Exhibitions in Czechoslovakia, Poland and Croatia/Yugoslavia (1945–1989)
Modernity and Compromise: The Church of St. Michael the Archangel in Warsaw and its Designer Władysław Pieńkowski
Kobro and Strzemiński: Łódź – Warsaw – Paris (1956–1957)
“Slavic” or “Germanic Spirit”? Examples of the Ideologisation of Arcades in Research on Architecture in the 19th and 20th centuries
The Dissident Power of Queer Art and Curating in Central Eastern Europe
Touring Feminist Realism in Actually Existing Socialism: The Exhibitions and Travels of Danish Artist Dea Trier Mørch across the Iron Curtain, 1962–1989
Biblical Typologies as Means of Visual Exegesis: The Case of Aleksander Tarasewicz
Much Ado About Nothing? Political Contexts of the 15 Polish Painters Exhibition (MoMA, 1961)
“Our ‘I’ and History”: The Polish Reception of Walter Pater
Architectural Designs Attributed to Simon Pitz in the Collection of the Jesuit Archive in Glatz
Entangled History between Semi-Peripheries: Magdalena Abakanowicz’s Fibre Art on the Swedish Art Scene circa 1970
The Memory of Opulence and the Freedom of a Pauper: The Constructionmaterial Discourse in the Polish Construction Industry in the Period of the Thaw
Modernist Architecture in Illustrative Art for Children and Teenagers in the People’s Republic of Poland
Defining Reality: Photography and the Surrealist Concept of the Image in Poland in the 1940s
Käthe Kollwitz and Otto Nagel: Two Exhibitions of “Progressive Artists” at the Zachęta in the Framework of Cultural Cooperation with the German Democratic Republic
The Family of Man in Poland: An Exhibition as a Democratic Space?
Above Standard: Villas Designed by Jan Dudek-Kornecki as a Contribution to the Study of the Housing Culture of Affluent Residents of Poznań in the Last Decades of the People’s Republic of Poland
1975 – International Women’s Year and the Exhibitions Organised on this Occasion in Warsaw: A Case Study on State Feminism and Art Through a Revisionist Lens
Two Orthodox Churches (the Old and the New) of the Holy Apostles Peter and Paul in Kalisz