Touring Feminist Realism in Actually Existing Socialism: The Exhibitions and Travels of Danish Artist Dea Trier Mørch across the Iron Curtain, 1962–1989
2023, 33, Numer 1
University of Copenhagen, Department of Arts and Cultural Studies
Data publikacji
Model publikowania
Rodzaj licencji
Dziedzina
Dyscyplina
Język publikacji
Pliki do pobrania
PDF 4 MB
Liczba wyświetleń:141
Liczba pobrań:61
Cytowania Crossref:0
Wynik Altmetric:0
Abstrakt
Dea Trier Mørch (1941–2001) was a popular – and recently rediscovered – artist often associated with feminism and the formative years of the Danish Women’s Rights movement. Throughout her career, she worked and exhibited frequently in the Eastern Bloc countries, but the details of these activities and the reception of her work in this context is still a little known aspect of her life and work. The article will analyse the case of Trier Mørch as a Danish artist exhibiting in the communist bloc countries. From attending art academies in the 1960s (mainly in Poland and the USSR) to taking part of exhibitions both individually and as part of artist collective Røde Mor such as Biennale der Ostseeländer in Rostock and Intergrafik in East Berlin, the activities of Trier Mørch show encounters and interactions with the other art world of state socialism at various levels, such as conflicts and paradoxes, including on the issue of feminism and women’s rights in the different systems. Following an individual through larger structures like international exchanges and art diplomacy will also shed fresh light on the developments in international cultural relations in the Nordic-Baltic region and provide context for the artist’s commitment and positioning through a formative period in contemporary history.
Słowa kluczowe:
Bibliografia
Billhardt, T., Braun, V., Bräunig, W., Dessau, P. et al., eds., Chile: Gesang und Bericht, Halle, 1975.
Jian, Ch. et al., The Routledge Handbook of the Global Sixties: Between Protest and Nation Building, New York, 2018.
Kerte, J., “Russisk på Louisiana”, Politiken, 3 March 1988.
Laurberg, M., Dea Trier Mørch. Det grafiske værk, Louisiana Museum of Modern Art, 2019.
Handberg, K., “Exhibiting Cobra across the Iron Curtain: Exhibition Diplomacy and Modernism as Ostpolitik across Borders in Northern Europe during the Cold War”, Artl@s Bulletin, 2022, 11, no. 2, article 6.
Hornung, P.M., Egill Jacobsen og hans tid, book manuscript, 2023.
Intergrafik, exhibition catalogue, Verband Bildende Künstler, Berlin 1965.
Intergrafik 73, exhibition catalogue, Verband Bildende Künstler, Berlin 1973.
Karpova, Y., “The Afterlife of Danish Modern: Design Exhibition in Moscow, 1969–70”. Artl@s Bulletin, 2022, 11, no. 2, article 7.
Neumann, E., Die Biennale der Ostseeländer – außen– und kulturpolitische Dimensionen der größten Internationalen Kunstausstellung der DDR, Ph.d. Dissertation, Technisches Universität Berlin, 2022.
Trier Mørch, D., Sorgmunter Socialisme: Sovjettiske raderinger, Copenhagen, 1968.
Trier Mørch, D., Polen, Copenhagen, 1970.
Rostgaard, M., “Dansk kulturdiplomati over for Østblokken ca. 1960–1972”, Historisk Tidsskrift, 2011, 111, no. 2.
Inne artykuły z tego numeru
- feminist art historystate feminismart through a lensfeminist museologyLatin American women artistsBrazilian art systemfeminist artivism in Mexico
Table of Contents
- feminism in Eastern Europefeminism in Latin America
Introduction
Agata Jakubowska, Andrea Giunta
- all-women exhibitionsPolandCzechoslovakiaCroatiaanti-communismfeminist art history
Beyond the Paradigm of Post-1989 Feminist Art History: Researching All-women Exhibitions in Czechoslovakia, Poland and Croatia/Yugoslavia (1945–1989)
Agata Jakubowska, Marianna Placáková, Vesna Vuković