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The Feminist Agenda and the Brazilian Art System between the 1960s and the 1970s
Table of Contents
Smell and Taste in Art: Suggestions towards a Systematic Approach
Touring Feminist Realism in Actually Existing Socialism: The Exhibitions and Travels of Danish Artist Dea Trier Mørch across the Iron Curtain, 1962–1989
Circulation of Queer Ideas in State Socialist Hungarian People’s Republic
The Family of Man in Poland: An Exhibition as a Democratic Space?
Constructing the canon: exhibiting contemporary Polish art abroad in the Cold War era
Between the Stage and the Art Gallery: “Artistic Actions” at the Lublin Theatre Spring in 1973 and 1974
Aquatic Imagination or Unweaving the Rainbow: Introduction to Hydro-Stories about American Art
Modernist Architecture in Illustrative Art for Children and Teenagers in the People’s Republic of Poland
Old Believers and the World of Evil: Images of Evil Forces in Old Believer Art
From Art-Viewing to Art-Experiencing: Perspectives of an Artist
Multi-Sensory Approaches to Art in Museum Settings: A Curator’s View
“Perceived with Hebrew Sense and Hebrew Instinct” – “Close to the Christian Ideal”: Polish Art Criticism on Maurycy Gottlieb’s Christ Preaching at Capernaum (1878–1879)
Applying the Avant-Garde: Display Experience in the Exhibition of Modern Art (1948)
An Apartment as a National Issue: On the Exhibitions of the Polish Applied Art Society at the Zachęta Gallery in 1902 and 1908
“A work of art is an object that necessitates contemplation”. Latency of visual studies within the Vienna School of Art History?
Archaeology of the present. Israeli art after the Al-Aqsa Intifada
The Transition to Art: Poster Exhibitions at the Outset of the Poster’s Institutionalisation
Queering Alfred Gell’s Art Nexus: Conceptualising Non-normative Relations and Queer Methods in the Art and Ethnological Museum Context