pl
Oryginalny artykuł naukowy
Ikonotheka

Archaeology of the present. Israeli art after the Al-Aqsa Intifada

2020, 30

Ewa Kędziora

0000-0002-1902-7217

University of Warsaw, Poland, Institute of Art History

DOI

10.31338/2657-6015ik.30.9

Data publikacji

28.05.2021

Model publikowania

open access

Rodzaj licencji

CC BY 3.0 PL

Dziedzina

Dziedzina nauk humanistycznych

Dyscyplina

nauki o sztuce

Język publikacji

angielski

Pliki do pobrania

PDF 287 KB

Artykuł

Liczba wyświetleń:175

Liczba pobrań:47

Cytowania Crossref:0

Wynik Altmetric:0

Abstrakt

The Al-Aqsa Intifada was the second Palestinian uprising that took place in 2000–2005. The dramatic record of the Intifada expressing itself in waves of recurring terror attacks and the construction of the separation wall on the border between Israel and Palestine overturned the Israeli-Palestinian relationship and triggered international public opinion. The article aims to determine how those events influenced the art scene. The study performs an overview of activities and artistic phenomena which occurred from 2000 through 2015 and problematized the events of the Second Intifada in various ways. The author focuses on individual works of art by both Israeli and international artists as well as art events and exhibitions of the leading kind. The analysis shows the extensive impacts of the Intifada on the artistic environment of that time and leads the author to the conclusion of the Intifada’s prevailing role in shaping politically engaged Israeli art at the beginning of 21 century. The dramatic events came up in creating a new aesthetic of the conflict, resulted in expanding a cultural boycott of Israel as well as challenged the position of politically engaged artists of Israel.

Słowa kluczowe:

Israeli contemporary Art,Israeli-Palestinian conflict,cultural boycott,Tsibi Geva

Bibliografia

Annual Report 2011: "Israel and Occupied Palestine Territories", Amnesty International, www.amnesty.org.pl/wpcontent/uploads/2011/05/AIR2011_Izrael_i_OTP.pdf [accessed: 23.09.2020]

"Palestine US exhibition stirs controversy", Al Jazeera, 20.04.2005, https://www.aljazeera.com/news/2005/4/20/palestine-us-exhibit-stirs-controversy [accessed: 15.07.2020]

Mondadori, B., ed., Act of State 1967-2007. Photographed History of the Occupation (ex. cat.), Minshar Art Gallery, Tel Aviv, 2009.

Braverman, I., "Checkpoint Watch: Bureaucracy and Resistance at the Israeli/ Palestinian Border", Social & Legal Studies 21(3), 2012, pp. 297-320.

https://doi.org/10.1177/0964663912441935

Bodick, N., "A Broken Home: Inside Tsibi Geva's Pavilion at the Venice Biennale", BlouinArtinfo, 04.09.2015.

Cohen, A. B., "DePaul faces criticism over Palestinian art exhibit", Free Republic, 27.04.2005, www.freerepublic.com/focus/f-news/1395591/posts [accessed: 15.07.2020]

Greenspahn, F. E., ed., Contemporary Israel: New Insights and Scholarship, New York, 2016.

https://doi.org/10.18574/nyu/9781479896806.001.0001

Corganti, M., Tsibi Geva: past and presence, in: Tsibi Geva: Recent and Early Works, ed. M. Testaccio, Roma, 2014.

Davis, B., "Artists Call on Bienal de São Paulo to Reject Israeli Funds", Artnet News, 29.08.2014, www.news.artnet.com/exhibitions/artists-call-on-bienal-de-sao-paulo-to-reject-israelifunds-updated-88974 [accessed: 14.07.2018]

Gal, N., "Gaza Dream", Roi Kuper, 2014, www.roikuper.com/gaza-dream/ [accessed: 21.06.2020]

Gelvin, J. L., Konflikt izraelsko-palestyński (The Israel-Palestine Conflict), trans. T. Tesznar, Krakow, 2009.

Godziński, M., "Konflikt izraelsko-palestyński w latach 2006-2014 - analiza i bilans", Zbliżenia Cywilizacyjne, XII, No. 2, 2016, pp. 40-54.

https://doi.org/10.21784/ZC.2016.009

Handel, A., "Exclusionary Surveillance and Spatial Uncertainty in the Occupied Palestinian Territories", in: E. Zureik, D. Lyon, Y. Abu-Laban, eds., Surveillance and Control in Israel/Palestine: Population, Territory and Power, London, 2011.

Hatuka, T., Violent Acts and Urban Space in Contemporary Tel Aviv, Austin, 2010.

Jamjoum, H., "The Global Campaign for Boycott, Divestment, and Sanctions against Israel", in: M. Carter Hallward, J. M. Norman, eds. Nonviolent Resistance in the Second Intifada, New York, 2011, pp. 133-153.

https://doi.org/10.1057/9780230337770_8

Jansen, Ch., "David Tartakover: Peace now and peace then", Dazed Digital, 19.09.2014, www.dazeddigital.com/artsandculture/article/21806/1/david-tartakover-peace-now-andpeace-then [accessed: 04.07.2020]

Jones, R., Border Walls: Security and the War in Terror in the United States, India and Israel, London, 2012.

https://doi.org/10.5040/9781350218734

Krohn, Z., Lagerweij J., Concrete Message. Street Art on the Israeli-Palestinian Separation Wall, Arsta, 2010.

Marton, R., "The Psychological Impact of the Second Intifada on Israeli Society", Palestine - Israel Journal of Politics, Economics and Culture, vol. 11 no. 4, 2004.

Moodrick-Even Khen, H., "From Knives to Kites: Developments and Dilemmas around the Use of Force in the Israeli-Palestinian Conflict since 'Protective Edge'", Journal of International Humanitarian Legal Studies, vol. 10, 2/2019, pp. 303-336.

https://doi.org/10.1163/18781527-01002006

Krauze J., Zieliński K., eds., Medinat Israel. Państwowość i tożsamość, Lublin, 2013.

Niederland, W. G., "The Survivor syndrome: Further observations and dimensions", Journal of the American Psychoanalytic Association, vol. 29, no. 2, 1981, pp. 413-425.

https://doi.org/10.1177/000306518102900207

Rytel, G., "Wernakularna, czyli jaka? Uwagi semantyczne na marginesie tematu konferencji", Budownictwo i Architektura, vol. 14, no. 3, 2015, pp. 143-149.

https://doi.org/10.35784/bud-arch.1623

Shapira, A., Israel. A History, Brandeis University Press, 2012.

https://doi.org/10.2307/j.ctv102bfrj

Shindler, C., Historia współczesnego Izraela (A History of Modern Israel), trans. M. Mścichowski, Warsaw, 2011.

Smoleński, P., Oczy zasypane piaskiem, Warsaw, 2014.

Tabarani, G.G., Israeli-Palestinian Conflict: From Balfour Promise to Bush Declaration: the Complications and the Road for a Lasting Peace, Bloomington, 2008, pp. 222-244.

Tamir, Ch., "A Report on the Cultural Boycott of Israel", Hyperallergic, 03.02.2015, www.hyperallergic.com/179655/a-report-on-the-cultural-boycott-of-israel [accessed: 05.09.2020]

Vartanian, H., "G.U.L.F. Occupies Israeli Pavilion in Venice. Calls for Cultural Boycott",

Hyperallergic, 03.08.2015, www.hyperallergic.com/226941/g-u-l-f-occupies-israelipavilion-in-venice-calls-for-cultural-boycott/ [accessed: 22.11.2017]

Virilio, P., Bunker Archaeology, New York, 1994.

Zalmona, Y., A Century of Israeli Art, trans. A. Schultz et al., The Israel Museum, Jerusalem, 2013.

The Borders, (ex. cat.) The Israel Museum, Jerusalem, 1980.

Tsibi Geva. Archeology of the Present, ed. N. Barel, (ex. cat.) The Israeli Pavilion at the 56th International Art Exhibition - la Biennale di Venezia, Israel, 2015.

Tsibi Geva. Mound of Things. Works and Projects, 1982>2008, ed. Hadas Maor, (ex. cat.) Tel Aviv Museum, Tel Aviv, 2008.

Tsibi Geva. Paintings 2011-2013, (ex. cat.) The American University Museum at the Katzen Art Center in Washington, Washington, 2013.

Tsibi Geva: Transition, Object, red. Y. Fisher, (exib. cat.) Ashdod Art Museum, July - November 2012, Ashdod, 2012.