30, 2020
Czasopismo
Ikonotheka
DOI
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Model publikowania
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Rodzaj licencji
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Dziedzina
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Dyscyplina
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Wydawca
Wydawnictwa Uniwersytetu Warszawskiego
Instytucja afiliująca
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Język publikacji
Polski, Angielski
Rok publikacji
2020
Redaktor naczelny
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Redaktor gościnny
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Zawartość numeru
Pobierz wszystkie artykuły w PDF28.05.2021
Contents
28.05.2021
Max DvořákVienna School of Art HistoryGeorg SimmelVisual StudiesCharles de TolnayHans Sedlmayr“A work of art is an object that necessitates contemplation”. Latency of visual studies within the Vienna School of Art History?
Tomáš Murár
28.05.2021
Stanisław Ignacy Witkiewicz (1885–1939)Witkacy (1885–1939)Julia Margaret Cameron (1815–1879)portrait photographyclose-upPolish photographymodernity‘Through a Microscope from a Telescopic Distance’: Witkacy, Cameron and the Photography of Faces
Aleksandra Fedorowicz-Jackowska
28.05.2021
Polish modern paintingself-portraittheory of self-representationmatter of paintingJózef Czapski (1896–1993)Zygmunt Waliszewski (1897–1936)Piotr Potworowski (1898–1964)Artur Nacht-Samborski (1898–1974)Jan Cybis (1897–1972)Face Substances. The rhetoric of Kapists’ self-portraits: between self-reflection and confession
Łukasz Kiepuszewski
28.05.2021
Ernest KontratovychTranscarpathian school of paintingSubcarpathian Rutheniaexpressionismgenre painting of Transcarpathiaan image of womenThe Impact of Historic Events on the Formation of the Creative Method of Ernest Kontratovych in the Early Period (1930s-1940s)
Anna Cheipesh
28.05.2021
the Red Army Gratitude Memorial in Szczecinthe Sacred Heart of Jesus Gratitude Memorial in Poznańsocialist realismthe State Art and Industrial School in LvovJózef StarzyńskiJózef RóżyskiSławomir LewińskiGratitude. The Red Army Memorial in Szczecin: A Geographical, Topographical, and Biographical Perspective
Szymon Piotr Kubiak
28.05.2021
realismsurrealismMarxismaestheticsavant-garde photographyPolish modernity after 1945Defining Reality: Photography and the Surrealist Concept of the Image in Poland in the 1940s
Kamila Dworniczak
28.05.2021
art in Poland after 1945Polish art abroadexhibition’s historyconstructivismcanonConstructing the canon: exhibiting contemporary Polish art abroad in the Cold War era
Piotr Majewski