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From Red Ruthenia to Rawa Mazowiecka: the Works of the Anonymous “Master of Pełczyska” as a Contribution to the Geography of Rococo Sculpture in Mazovia
Tamara Łempicka: The Polish Contexts
The Organic Quality of Visual Form: The Artistic Bond between Zdzisław Ruszkowski and Henry Moore
Gratitude. The Red Army Memorial in Szczecin: A Geographical, Topographical, and Biographical Perspective
Give the IPS to Szukalski: Stanisław Szukalski’s Bid for the Institute of Art Propaganda
An Apartment as a National Issue: On the Exhibitions of the Polish Applied Art Society at the Zachęta Gallery in 1902 and 1908
The Image of the Lithuanian and Ruthenian Legacy of the Jagiellons in 16th-Century Pictorial Catalogues of Polish Monarchs
Much Ado About Nothing? Political Contexts of the 15 Polish Painters Exhibition (MoMA, 1961)
Turning “Polish Boxes into German Houses”: On the Transformations of Architecture in Poland during the Second World War as Exemplified by the Changing Design of the Zajdensznir Tenement in Radom
“Perceived with Hebrew Sense and Hebrew Instinct” – “Close to the Christian Ideal”: Polish Art Criticism on Maurycy Gottlieb’s Christ Preaching at Capernaum (1878–1879)
A Church for the Polish People: On the Contest for the Parochial Church in the Warsaw District of Praga
Constructing the canon: exhibiting contemporary Polish art abroad in the Cold War era
“Our ‘I’ and History”: The Polish Reception of Walter Pater
The Memory of Opulence and the Freedom of a Pauper: The Constructionmaterial Discourse in the Polish Construction Industry in the Period of the Thaw
The Post-War History of Pictorialism as Exemplifi ed by Exhibitions at the Zachęta and the Kordegarda (1953–1970)
‘Through a Microscope from a Telescopic Distance’: Witkacy, Cameron and the Photography of Faces
Edward Trojanowski: The Search for Style in Early 20th-century Furniture Design in Poland
Above Standard: Villas Designed by Jan Dudek-Kornecki as a Contribution to the Study of the Housing Culture of Affluent Residents of Poznań in the Last Decades of the People’s Republic of Poland
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
The Exhibition-Organising Activity of the Committee for Cultural Cooperation with Foreign Countries (1950–1956) Based on the Example of Selected Exhibitions at the Zachęta Central Bureau of Art Exhibitions