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1975 – International Women’s Year and the Exhibitions Organised on this Occasion in Warsaw: A Case Study on State Feminism and Art Through a Revisionist Lens
Table of Contents
Touring Feminist Realism in Actually Existing Socialism: The Exhibitions and Travels of Danish Artist Dea Trier Mørch across the Iron Curtain, 1962–1989
Circulation of Queer Ideas in State Socialist Hungarian People’s Republic
Beyond the Paradigm of Post-1989 Feminist Art History: Researching All-women Exhibitions in Czechoslovakia, Poland and Croatia/Yugoslavia (1945–1989)
Latin American Women Artists: Subsidiary Human Beings? The Latin American Women Artists, 1915–1995 case
A State of Latent Life: The Paintings of Olga Boznańska
Gratitude. The Red Army Memorial in Szczecin: A Geographical, Topographical, and Biographical Perspective
Käthe Kollwitz and Otto Nagel: Two Exhibitions of “Progressive Artists” at the Zachęta in the Framework of Cultural Cooperation with the German Democratic Republic
The Memory of Opulence and the Freedom of a Pauper: The Constructionmaterial Discourse in the Polish Construction Industry in the Period of the Thaw
The Dissident Power of Queer Art and Curating in Central Eastern Europe
The Exhibition-Organising Activity of the Committee for Cultural Cooperation with Foreign Countries (1950–1956) Based on the Example of Selected Exhibitions at the Zachęta Central Bureau of Art Exhibitions
The Post-War History of Pictorialism as Exemplifi ed by Exhibitions at the Zachęta and the Kordegarda (1953–1970)
Give the IPS to Szukalski: Stanisław Szukalski’s Bid for the Institute of Art Propaganda
Kobro and Strzemiński: Łódź – Warsaw – Paris (1956–1957)
Towards Socialist Architecture: Architectural Exhibitions at the Zachęta in the Years 1950–1955
Architectural Designs Attributed to Simon Pitz in the Collection of the Jesuit Archive in Glatz
Looking Back at Looking Forward: Art Exhibitions in Poland for the 1975 AICA Congress
Between the Stage and the Art Gallery: “Artistic Actions” at the Lublin Theatre Spring in 1973 and 1974
Two to Achieve a Visible Alliance: On the Choreography of Stanisław Wyspiański’s Vision