Wyniki wyszukiwania dla frazy "Warsaw exhibitions on the occasion of IWY"
1975 – International Women’s Year and the Exhibitions Organised on this Occasion in Warsaw: A Case Study on State Feminism and Art Through a Revisionist Lens
Looking Back at Looking Forward: Art Exhibitions in Poland for the 1975 AICA Congress
Kobro and Strzemiński: Łódź – Warsaw – Paris (1956–1957)
The Exhibition-Organising Activity of the Committee for Cultural Cooperation with Foreign Countries (1950–1956) Based on the Example of Selected Exhibitions at the Zachęta Central Bureau of Art Exhibitions
The Post-War History of Pictorialism as Exemplifi ed by Exhibitions at the Zachęta and the Kordegarda (1953–1970)
The Dissident Power of Queer Art and Curating in Central Eastern Europe
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
Käthe Kollwitz and Otto Nagel: Two Exhibitions of “Progressive Artists” at the Zachęta in the Framework of Cultural Cooperation with the German Democratic Republic
Towards Socialist Architecture: Architectural Exhibitions at the Zachęta in the Years 1950–1955
Much Ado About Nothing? Political Contexts of the 15 Polish Painters Exhibition (MoMA, 1961)
Rubble Warsaw, 1945–1946: Urban Landscaping and Architectural Remains
A Church for the Polish People: On the Contest for the Parochial Church in the Warsaw District of Praga
Modernity and Compromise: The Church of St. Michael the Archangel in Warsaw and its Designer Władysław Pieńkowski
Left / abandoned / post-German. Late Gothic Silesian Retables and Their New Settings in the Monastery Church in Mogiła (Cracow), and the Cathedrals in Warsaw and Poznań in the 1940s and 1950s
“Perceived with Hebrew Sense and Hebrew Instinct” – “Close to the Christian Ideal”: Polish Art Criticism on Maurycy Gottlieb’s Christ Preaching at Capernaum (1878–1879)
Give the IPS to Szukalski: Stanisław Szukalski’s Bid for the Institute of Art Propaganda
King-Spirit According to Tymon Niesiołowski
The Memory of Opulence and the Freedom of a Pauper: The Constructionmaterial Discourse in the Polish Construction Industry in the Period of the Thaw
The Icon of the Holy Unmercenaries (Greek: Άγιοι Ανάργυροι) Cosmas and Damian, as Bequeathed by Zofia Ruebenbauer, in the Collection of the National Museum in Cracow
Two Orthodox Churches (the Old and the New) of the Holy Apostles Peter and Paul in Kalisz