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Tobacco’s Appeal to the Senses and the Early Modern Smoker’s Still Life
The History of Gardens: Geistesgeschichte or Naturgeschichte?
The Post-War History of Pictorialism as Exemplifi ed by Exhibitions at the Zachęta and the Kordegarda (1953–1970)
Beyond the Paradigm of Post-1989 Feminist Art History: Researching All-women Exhibitions in Czechoslovakia, Poland and Croatia/Yugoslavia (1945–1989)
The Exhibition-Organising Activity of the Committee for Cultural Cooperation with Foreign Countries (1950–1956) Based on the Example of Selected Exhibitions at the Zachęta Central Bureau of Art Exhibitions
The Crisis of Impressionism or Claude Monet’s New Realism?
Entangled History between Semi-Peripheries: Magdalena Abakanowicz’s Fibre Art on the Swedish Art Scene circa 1970
“None of us is this Zeuxis Heracleotes”: The Illustrational Dilemmas of Cracow Publishers
Circulation of Queer Ideas in State Socialist Hungarian People’s Republic
Turning “Polish Boxes into German Houses”: On the Transformations of Architecture in Poland during the Second World War as Exemplified by the Changing Design of the Zajdensznir Tenement in Radom
Modernity and Compromise: The Church of St. Michael the Archangel in Warsaw and its Designer Władysław Pieńkowski
A Church for the Polish People: On the Contest for the Parochial Church in the Warsaw District of Praga
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
Much Ado About Nothing? Political Contexts of the 15 Polish Painters Exhibition (MoMA, 1961)
The So-called Copernicus’ Chapel: a Jubilee Creation in the Gothic St John’s Cathedral in Toruń
The Grass is Greener: Władysław Hasior in an Ecocritical Perspective
Edward Trojanowski: The Search for Style in Early 20th-century Furniture Design in Poland
Rubble Warsaw, 1945–1946: Urban Landscaping and Architectural Remains
Kobro and Strzemiński: Łódź – Warsaw – Paris (1956–1957)
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