Wyniki wyszukiwania dla frazy "the body in art"
Blindness as Empathy: The Politics of Touch in Works by Dan Sterup-Hansen
Face Substances. The rhetoric of Kapists’ self-portraits: between self-reflection and confession
Smell and Taste in Art: Suggestions towards a Systematic Approach
The Robe of Corporeality: Sensual Aspects of Medieval Representations of Crucified Christ in the Tunica Manicata
1975 – International Women’s Year and the Exhibitions Organised on this Occasion in Warsaw: A Case Study on State Feminism and Art Through a Revisionist Lens
Paolo Pagani’s St. Sebastian in Krakow
Käthe Kollwitz and Otto Nagel: Two Exhibitions of “Progressive Artists” at the Zachęta in the Framework of Cultural Cooperation with the German Democratic Republic
The Memory of Opulence and the Freedom of a Pauper: The Constructionmaterial Discourse in the Polish Construction Industry in the Period of the Thaw
The Dissident Power of Queer Art and Curating in Central Eastern Europe
The Icons of Military Saints in Rus’. An Attempt at Classifying Iconographic Types from before the Beginning of the 17th Century
Constructing the canon: exhibiting contemporary Polish art abroad in the Cold War era
“Perceived with Hebrew Sense and Hebrew Instinct” – “Close to the Christian Ideal”: Polish Art Criticism on Maurycy Gottlieb’s Christ Preaching at Capernaum (1878–1879)
Applying the Avant-Garde: Display Experience in the Exhibition of Modern Art (1948)
The Changing Perception of the Five Senses
A Church for the Polish People: On the Contest for the Parochial Church in the Warsaw District of Praga
“Our ‘I’ and History”: The Polish Reception of Walter Pater
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
Old Believers and the World of Evil: Images of Evil Forces in Old Believer Art
The Impact of Historic Events on the Formation of the Creative Method of Ernest Kontratovych in the Early Period (1930s-1940s)
The Exhibition-Organising Activity of the Committee for Cultural Cooperation with Foreign Countries (1950–1956) Based on the Example of Selected Exhibitions at the Zachęta Central Bureau of Art Exhibitions