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Meetings: Exhibitions of Women’s Art Curated by Izabella Gustowska
Touring Feminist Realism in Actually Existing Socialism: The Exhibitions and Travels of Danish Artist Dea Trier Mørch across the Iron Curtain, 1962–1989
1975 – International Women’s Year and the Exhibitions Organised on this Occasion in Warsaw: A Case Study on State Feminism and Art Through a Revisionist Lens
Beyond the Paradigm of Post-1989 Feminist Art History: Researching All-women Exhibitions in Czechoslovakia, Poland and Croatia/Yugoslavia (1945–1989)
From Rio de la Plata to the Extreme West: Feminist Historiographies of Art and Artistic Activism in Argentina and Chile
Latin American Women Artists: Subsidiary Human Beings? The Latin American Women Artists, 1915–1995 case
Exhibitions of Sculpture as a Sign of the Spatial Shift: From Spring Salon to Sculpture in the Garden
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
Käthe Kollwitz and Otto Nagel: Two Exhibitions of “Progressive Artists” at the Zachęta in the Framework of Cultural Cooperation with the German Democratic Republic
The Exhibition-Organising Activity of the Committee for Cultural Cooperation with Foreign Countries (1950–1956) Based on the Example of Selected Exhibitions at the Zachęta Central Bureau of Art Exhibitions
An Apartment as a National Issue: On the Exhibitions of the Polish Applied Art Society at the Zachęta Gallery in 1902 and 1908
Towards Socialist Architecture: Architectural Exhibitions at the Zachęta in the Years 1950–1955
Archaeology of the present. Israeli art after the Al-Aqsa Intifada
The Post-War History of Pictorialism as Exemplifi ed by Exhibitions at the Zachęta and the Kordegarda (1953–1970)
Applying the Avant-Garde: Display Experience in the Exhibition of Modern Art (1948)
Tamara Łempicka: The Polish Contexts
The Transition to Art: Poster Exhibitions at the Outset of the Poster’s Institutionalisation
Looking Back at Looking Forward: Art Exhibitions in Poland for the 1975 AICA Congress
The Dissident Power of Queer Art and Curating in Central Eastern Europe
The Family of Man in Poland: An Exhibition as a Democratic Space?