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Table of Contents
1975 – International Women’s Year and the Exhibitions Organised on this Occasion in Warsaw: A Case Study on State Feminism and Art Through a Revisionist Lens
Intimate listening and sonic solidarity. Radio in the works of Radio Earth Hold collective as a way towards the sonic turn
The Post-War History of Pictorialism as Exemplifi ed by Exhibitions at the Zachęta and the Kordegarda (1953–1970)
“Remnant of the Golden Age”: Franciscus Junius on the Love of Art
Exhibitions of Sculpture as a Sign of the Spatial Shift: From Spring Salon to Sculpture in the Garden
‘Through a Microscope from a Telescopic Distance’: Witkacy, Cameron and the Photography of Faces
Touring Feminist Realism in Actually Existing Socialism: The Exhibitions and Travels of Danish Artist Dea Trier Mørch across the Iron Curtain, 1962–1989
Constructing the canon: exhibiting contemporary Polish art abroad in the Cold War era
Archaeology of the present. Israeli art after the Al-Aqsa Intifada
Music and Its Images as a Source of a Creative Myth
The Globetrotter’s Identity: Michel Sittow in the International Historiographies
“Unreal, Purely Formal Relations”: Realism in Christian Schad’s Drawings of Queer Nightspots for Ein Führer durch das ‘lasterhafte’ Berlin (1931)
Hard Pressed: Queer Print Theory in Germany and Austria in the Long 19th Century
Notes to Continue Thinking about Feminist Artivism in Mexico
King-Spirit According to Tymon Niesiołowski
Tobacco’s Appeal to the Senses and the Early Modern Smoker’s Still Life
Feminist Museology Applied to the Leipzig Museum of Arts (The MdbK)
Face Substances. The rhetoric of Kapists’ self-portraits: between self-reflection and confession
Circulation of Queer Ideas in State Socialist Hungarian People’s Republic