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Constructing the canon: exhibiting contemporary Polish art abroad in the Cold War era
Towards Socialist Architecture: Architectural Exhibitions at the Zachęta in the Years 1950–1955
Much Ado About Nothing? Political Contexts of the 15 Polish Painters Exhibition (MoMA, 1961)
The Exhibition-Organising Activity of the Committee for Cultural Cooperation with Foreign Countries (1950–1956) Based on the Example of Selected Exhibitions at the Zachęta Central Bureau of Art Exhibitions
The Post-War History of Pictorialism as Exemplifi ed by Exhibitions at the Zachęta and the Kordegarda (1953–1970)
Entangled History between Semi-Peripheries: Magdalena Abakanowicz’s Fibre Art on the Swedish Art Scene circa 1970
Kobro and Strzemiński: Łódź – Warsaw – Paris (1956–1957)
Looking Back at Looking Forward: Art Exhibitions in Poland for the 1975 AICA Congress
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
Applying the Avant-Garde: Display Experience in the Exhibition of Modern Art (1948)
Latin American Women Artists: Subsidiary Human Beings? The Latin American Women Artists, 1915–1995 case
Beyond the Paradigm of Post-1989 Feminist Art History: Researching All-women Exhibitions in Czechoslovakia, Poland and Croatia/Yugoslavia (1945–1989)
The Globetrotter’s Identity: Michel Sittow in the International Historiographies
Touring Feminist Realism in Actually Existing Socialism: The Exhibitions and Travels of Danish Artist Dea Trier Mørch across the Iron Curtain, 1962–1989
The Grass is Greener: Władysław Hasior in an Ecocritical Perspective
From Rio de la Plata to the Extreme West: Feminist Historiographies of Art and Artistic Activism in Argentina and Chile
The Transition to Art: Poster Exhibitions at the Outset of the Poster’s Institutionalisation
The Family of Man in Poland: An Exhibition as a Democratic Space?
Meetings: Exhibitions of Women’s Art Curated by Izabella Gustowska
Tamara Łempicka: The Polish Contexts