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From Rio de la Plata to the Extreme West: Feminist Historiographies of Art and Artistic Activism in Argentina and Chile
Beyond the Paradigm of Post-1989 Feminist Art History: Researching All-women Exhibitions in Czechoslovakia, Poland and Croatia/Yugoslavia (1945–1989)
The Feminist Agenda and the Brazilian Art System between the 1960s and the 1970s
Notes to Continue Thinking about Feminist Artivism in Mexico
1975 – International Women’s Year and the Exhibitions Organised on this Occasion in Warsaw: A Case Study on State Feminism and Art Through a Revisionist Lens
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Touring Feminist Realism in Actually Existing Socialism: The Exhibitions and Travels of Danish Artist Dea Trier Mørch across the Iron Curtain, 1962–1989
Feminist Museology Applied to the Leipzig Museum of Arts (The MdbK)
Circulation of Queer Ideas in State Socialist Hungarian People’s Republic
Latin American Women Artists: Subsidiary Human Beings? The Latin American Women Artists, 1915–1995 case
Meetings: Exhibitions of Women’s Art Curated by Izabella Gustowska
Constructing the canon: exhibiting contemporary Polish art abroad in the Cold War era
Between the Stage and the Art Gallery: “Artistic Actions” at the Lublin Theatre Spring in 1973 and 1974
Aquatic Imagination or Unweaving the Rainbow: Introduction to Hydro-Stories about American Art
Modernist Architecture in Illustrative Art for Children and Teenagers in the People’s Republic of Poland
Old Believers and the World of Evil: Images of Evil Forces in Old Believer Art
From Art-Viewing to Art-Experiencing: Perspectives of an Artist
Multi-Sensory Approaches to Art in Museum Settings: A Curator’s View
“Perceived with Hebrew Sense and Hebrew Instinct” – “Close to the Christian Ideal”: Polish Art Criticism on Maurycy Gottlieb’s Christ Preaching at Capernaum (1878–1879)
Applying the Avant-Garde: Display Experience in the Exhibition of Modern Art (1948)