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The Icon of the Holy Unmercenaries (Greek: Άγιοι Ανάργυροι) Cosmas and Damian, as Bequeathed by Zofia Ruebenbauer, in the Collection of the National Museum in Cracow
Looking Back at Looking Forward: Art Exhibitions in Poland for the 1975 AICA Congress
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
King-Spirit According to Tymon Niesiołowski
Queering Alfred Gell’s Art Nexus: Conceptualising Non-normative Relations and Queer Methods in the Art and Ethnological Museum Context
The Dissident Power of Queer Art and Curating in Central Eastern Europe
An Apartment as a National Issue: On the Exhibitions of the Polish Applied Art Society at the Zachęta Gallery in 1902 and 1908
Towards Socialist Architecture: Architectural Exhibitions at the Zachęta in the Years 1950–1955
Tamara Łempicka: The Polish Contexts
A Church for the Polish People: On the Contest for the Parochial Church in the Warsaw District of Praga
“Slavic” or “Germanic Spirit”? Examples of the Ideologisation of Arcades in Research on Architecture in the 19th and 20th centuries
The Image of the Lithuanian and Ruthenian Legacy of the Jagiellons in 16th-Century Pictorial Catalogues of Polish Monarchs