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Tamara Łempicka: The Polish Contexts
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
Kobro and Strzemiński: Łódź – Warsaw – Paris (1956–1957)
The Family of Man in Poland: An Exhibition as a Democratic Space?
Applying the Avant-Garde: Display Experience in the Exhibition of Modern Art (1948)
Towards Socialist Architecture: Architectural Exhibitions at the Zachęta in the Years 1950–1955
The Post-War History of Pictorialism as Exemplifi ed by Exhibitions at the Zachęta and the Kordegarda (1953–1970)
Constructing the canon: exhibiting contemporary Polish art abroad in the Cold War era
The Exhibition-Organising Activity of the Committee for Cultural Cooperation with Foreign Countries (1950–1956) Based on the Example of Selected Exhibitions at the Zachęta Central Bureau of Art Exhibitions
Much Ado About Nothing? Political Contexts of the 15 Polish Painters Exhibition (MoMA, 1961)
The Globetrotter’s Identity: Michel Sittow in the International Historiographies
Looking Back at Looking Forward: Art Exhibitions in Poland for the 1975 AICA Congress
Exhibitions of Sculpture as a Sign of the Spatial Shift: From Spring Salon to Sculpture in the Garden
Käthe Kollwitz and Otto Nagel: Two Exhibitions of “Progressive Artists” at the Zachęta in the Framework of Cultural Cooperation with the German Democratic Republic
An Apartment as a National Issue: On the Exhibitions of the Polish Applied Art Society at the Zachęta Gallery in 1902 and 1908
Meetings: Exhibitions of Women’s Art Curated by Izabella Gustowska
Latin American Women Artists: Subsidiary Human Beings? The Latin American Women Artists, 1915–1995 case
Feminist Museology Applied to the Leipzig Museum of Arts (The MdbK)
Another Form of Blindness – a Symptom of an Artistic Viewpoint: Glossing the Work of Marcel Duchamp
Entangled History between Semi-Peripheries: Magdalena Abakanowicz’s Fibre Art on the Swedish Art Scene circa 1970