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The Impact of Historic Events on the Formation of the Creative Method of Ernest Kontratovych in the Early Period (1930s-1940s)
The Post-War History of Pictorialism as Exemplifi ed by Exhibitions at the Zachęta and the Kordegarda (1953–1970)
The Image of the Lithuanian and Ruthenian Legacy of the Jagiellons in 16th-Century Pictorial Catalogues of Polish Monarchs
Circulation of Queer Ideas in State Socialist Hungarian People’s Republic
Two to Achieve a Visible Alliance: On the Choreography of Stanisław Wyspiański’s Vision
The Icon and the Hatchet. The Motif of Aggression Against Icons in Russian Literature before the Revolution
Tobacco’s Appeal to the Senses and the Early Modern Smoker’s Still Life
Tamara Łempicka: The Polish Contexts
Defining Reality: Photography and the Surrealist Concept of the Image in Poland in the 1940s
Reflections of the Hidden Duchess and the Moon King: The Tabula Scalata and the Engaged Beholder in Sixteenth-Century Italy
The Crisis of Impressionism or Claude Monet’s New Realism?
Objects of Embodiment: A “Post-Material Turn” in Exhibiting Lost Material Culture
Face Substances. The rhetoric of Kapists’ self-portraits: between self-reflection and confession
Relief with Crucifixion Scene in St Martin’s Church in Jawor – the Oldest Silesian Pictorial Epitaph and its Ideological and Artistic Contexts
“Ethnology Has Introduced Law and Order”: Remarks on the Works of Bronisław Malinowski as a “Hybrid Activity”
“None of us is this Zeuxis Heracleotes”: The Illustrational Dilemmas of Cracow Publishers
Music and Its Images as a Source of a Creative Myth
Modernist Architecture in Illustrative Art for Children and Teenagers in the People’s Republic of Poland
The Robe of Corporeality: Sensual Aspects of Medieval Representations of Crucified Christ in the Tunica Manicata
An Apartment as a National Issue: On the Exhibitions of the Polish Applied Art Society at the Zachęta Gallery in 1902 and 1908