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“None of us is this Zeuxis Heracleotes”: The Illustrational Dilemmas of Cracow Publishers
In Praise of Frozen Sound: Audifying Painting
A State of Latent Life: The Paintings of Olga Boznańska
Face Substances. The rhetoric of Kapists’ self-portraits: between self-reflection and confession
“Perceived with Hebrew Sense and Hebrew Instinct” – “Close to the Christian Ideal”: Polish Art Criticism on Maurycy Gottlieb’s Christ Preaching at Capernaum (1878–1879)
The Icons of Military Saints in Rus’. An Attempt at Classifying Iconographic Types from before the Beginning of the 17th Century
The Changing Perception of the Five Senses
Olga Boznańska and Marian Morelowski Read Michel Foucault
Constructing the canon: exhibiting contemporary Polish art abroad in the Cold War era
The Exhibition-Organising Activity of the Committee for Cultural Cooperation with Foreign Countries (1950–1956) Based on the Example of Selected Exhibitions at the Zachęta Central Bureau of Art Exhibitions
The Crisis of Impressionism or Claude Monet’s New Realism?
Reflections of the Hidden Duchess and the Moon King: The Tabula Scalata and the Engaged Beholder in Sixteenth-Century Italy
“Remnant of the Golden Age”: Franciscus Junius on the Love of Art
Paolo Pagani’s St. Sebastian in Krakow
Old Believers and the World of Evil: Images of Evil Forces in Old Believer Art
The Image of the Lithuanian and Ruthenian Legacy of the Jagiellons in 16th-Century Pictorial Catalogues of Polish Monarchs
Tobacco’s Appeal to the Senses and the Early Modern Smoker’s Still Life
The Impact of Historic Events on the Formation of the Creative Method of Ernest Kontratovych in the Early Period (1930s-1940s)
Feminist Museology Applied to the Leipzig Museum of Arts (The MdbK)
Blindness as Empathy: The Politics of Touch in Works by Dan Sterup-Hansen