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Feminist Museology Applied to the Leipzig Museum of Arts (The MdbK)
Tamara Łempicka: The Polish Contexts
Meetings: Exhibitions of Women’s Art Curated by Izabella Gustowska
Constructing the canon: exhibiting contemporary Polish art abroad in the Cold War era
Above Standard: Villas Designed by Jan Dudek-Kornecki as a Contribution to the Study of the Housing Culture of Affluent Residents of Poznań in the Last Decades of the People’s Republic of Poland
Healing Touch: Clothed Images of the Virgin in Early Modern Portugal
Smell and Taste in Art: Suggestions towards a Systematic Approach
The Family of Man in Poland: An Exhibition as a Democratic Space?
Built Around a Tree: Odysseus’s Thalamos and Le Corbusier’s Pavillon de L’Esprit Nouveau
“None of us is this Zeuxis Heracleotes”: The Illustrational Dilemmas of Cracow Publishers
Modernist Architecture in Illustrative Art for Children and Teenagers in the People’s Republic of Poland
Defining Reality: Photography and the Surrealist Concept of the Image in Poland in the 1940s
Latin American Women Artists: Subsidiary Human Beings? The Latin American Women Artists, 1915–1995 case
The Robe of Corporeality: Sensual Aspects of Medieval Representations of Crucified Christ in the Tunica Manicata
A Church for the Polish People: On the Contest for the Parochial Church in the Warsaw District of Praga
The Exhibition-Organising Activity of the Committee for Cultural Cooperation with Foreign Countries (1950–1956) Based on the Example of Selected Exhibitions at the Zachęta Central Bureau of Art Exhibitions
“Perceived with Hebrew Sense and Hebrew Instinct” – “Close to the Christian Ideal”: Polish Art Criticism on Maurycy Gottlieb’s Christ Preaching at Capernaum (1878–1879)
The Icon and the Hatchet. The Motif of Aggression Against Icons in Russian Literature before the Revolution
The Post-War History of Pictorialism as Exemplifi ed by Exhibitions at the Zachęta and the Kordegarda (1953–1970)
Kobro and Strzemiński: Łódź – Warsaw – Paris (1956–1957)
