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The Icon of the Holy Unmercenaries (Greek: Άγιοι Ανάργυροι) Cosmas and Damian, as Bequeathed by Zofia Ruebenbauer, in the Collection of the National Museum in Cracow
Queering Alfred Gell’s Art Nexus: Conceptualising Non-normative Relations and Queer Methods in the Art and Ethnological Museum Context
Feminist Museology Applied to the Leipzig Museum of Arts (The MdbK)
Multi-Sensory Approaches to Art in Museum Settings: A Curator’s View
The Kabbalistic Alphabet of Libeskind: The Motif of Letter-shaped Windows in the Design of the Jewish Museum in Berlin
Give the IPS to Szukalski: Stanisław Szukalski’s Bid for the Institute of Art Propaganda
Much Ado About Nothing? Political Contexts of the 15 Polish Painters Exhibition (MoMA, 1961)
Objects of Embodiment: A “Post-Material Turn” in Exhibiting Lost Material Culture
The Transition to Art: Poster Exhibitions at the Outset of the Poster’s Institutionalisation
The Family of Man in Poland: An Exhibition as a Democratic Space?
Latin American Women Artists: Subsidiary Human Beings? The Latin American Women Artists, 1915–1995 case
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
Looking Back at Looking Forward: Art Exhibitions in Poland for the 1975 AICA Congress
The Dissident Power of Queer Art and Curating in Central Eastern Europe
King-Spirit According to Tymon Niesiołowski
Kobro and Strzemiński: Łódź – Warsaw – Paris (1956–1957)
Jakub Banasiak, Proteuszowe czasy. Rozpad państwowego systemu sztuki 1982-1993, Akademia Sztuk Pięknych w Warszawie, Muzeum Sztuki Nowoczesnej w Warszawie, Warszawa, 2020, 596 pp.
