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Tobacco’s Appeal to the Senses and the Early Modern Smoker’s Still Life
Touring Feminist Realism in Actually Existing Socialism: The Exhibitions and Travels of Danish Artist Dea Trier Mørch across the Iron Curtain, 1962–1989
Reflections of the Hidden Duchess and the Moon King: The Tabula Scalata and the Engaged Beholder in Sixteenth-Century Italy
1975 – International Women’s Year and the Exhibitions Organised on this Occasion in Warsaw: A Case Study on State Feminism and Art Through a Revisionist Lens
The Globetrotter’s Identity: Michel Sittow in the International Historiographies
Looking Back at Looking Forward: Art Exhibitions in Poland for the 1975 AICA Congress
From Red Ruthenia to Rawa Mazowiecka: the Works of the Anonymous “Master of Pełczyska” as a Contribution to the Geography of Rococo Sculpture in Mazovia
The Feminist Agenda and the Brazilian Art System between the 1960s and the 1970s
The Image of the Lithuanian and Ruthenian Legacy of the Jagiellons in 16th-Century Pictorial Catalogues of Polish Monarchs
Built Around a Tree: Odysseus’s Thalamos and Le Corbusier’s Pavillon de L’Esprit Nouveau
Archaeology of the present. Israeli art after the Al-Aqsa Intifada
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
Entangled History between Semi-Peripheries: Magdalena Abakanowicz’s Fibre Art on the Swedish Art Scene circa 1970
Queering Alfred Gell’s Art Nexus: Conceptualising Non-normative Relations and Queer Methods in the Art and Ethnological Museum Context
Above Standard: Villas Designed by Jan Dudek-Kornecki as a Contribution to the Study of the Housing Culture of Affluent Residents of Poznań in the Last Decades of the People’s Republic of Poland
“Perceived with Hebrew Sense and Hebrew Instinct” – “Close to the Christian Ideal”: Polish Art Criticism on Maurycy Gottlieb’s Christ Preaching at Capernaum (1878–1879)