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Beyond the Paradigm of Post-1989 Feminist Art History: Researching All-women Exhibitions in Czechoslovakia, Poland and Croatia/Yugoslavia (1945–1989)
“A work of art is an object that necessitates contemplation”. Latency of visual studies within the Vienna School of Art History?
The Post-War History of Pictorialism as Exemplifi ed by Exhibitions at the Zachęta and the Kordegarda (1953–1970)
Between the Stage and the Art Gallery: “Artistic Actions” at the Lublin Theatre Spring in 1973 and 1974
Touring Feminist Realism in Actually Existing Socialism: The Exhibitions and Travels of Danish Artist Dea Trier Mørch across the Iron Curtain, 1962–1989
The Grass is Greener: Władysław Hasior in an Ecocritical Perspective
Queer Heritage in Central Europe: Desperately Seeking a Queer
Towards Socialist Architecture: Architectural Exhibitions at the Zachęta in the Years 1950–1955
Kobro and Strzemiński: Łódź – Warsaw – Paris (1956–1957)
Queer Heritage: Central Europe and Beyond. A Roundtable Discussion
Entangled History between Semi-Peripheries: Magdalena Abakanowicz’s Fibre Art on the Swedish Art Scene circa 1970
The History of Gardens: Geistesgeschichte or Naturgeschichte?
Smell and Taste in Art: Suggestions towards a Systematic Approach
“Our ‘I’ and History”: The Polish Reception of Walter Pater
Looking Back at Looking Forward: Art Exhibitions in Poland for the 1975 AICA Congress
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
The Exhibition-Organising Activity of the Committee for Cultural Cooperation with Foreign Countries (1950–1956) Based on the Example of Selected Exhibitions at the Zachęta Central Bureau of Art Exhibitions
Constructing the canon: exhibiting contemporary Polish art abroad in the Cold War era
Applying the Avant-Garde: Display Experience in the Exhibition of Modern Art (1948)
“None of us is this Zeuxis Heracleotes”: The Illustrational Dilemmas of Cracow Publishers