Search results for phrase "the Museum of Modern Art in New York"
The Family of Man in Poland: An Exhibition as a Democratic Space?
Much Ado About Nothing? Political Contexts of the 15 Polish Painters Exhibition (MoMA, 1961)
The Dissident Power of Queer Art and Curating in Central Eastern Europe
King-Spirit According to Tymon Niesiołowski
Kobro and Strzemiński: Łódź – Warsaw – Paris (1956–1957)
Feminist Museology Applied to the Leipzig Museum of Arts (The MdbK)
The Transition to Art: Poster Exhibitions at the Outset of the Poster’s Institutionalisation
The Icon of the Holy Unmercenaries (Greek: Άγιοι Ανάργυροι) Cosmas and Damian, as Bequeathed by Zofia Ruebenbauer, in the Collection of the National Museum in Cracow
The Kabbalistic Alphabet of Libeskind: The Motif of Letter-shaped Windows in the Design of the Jewish Museum in Berlin
Give the IPS to Szukalski: Stanisław Szukalski’s Bid for the Institute of Art Propaganda
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
Looking Back at Looking Forward: Art Exhibitions in Poland for the 1975 AICA Congress
Objects of Embodiment: A “Post-Material Turn” in Exhibiting Lost Material Culture
Queering Alfred Gell’s Art Nexus: Conceptualising Non-normative Relations and Queer Methods in the Art and Ethnological Museum Context
Latin American Women Artists: Subsidiary Human Beings? The Latin American Women Artists, 1915–1995 case
Käthe Kollwitz and Otto Nagel: Two Exhibitions of “Progressive Artists” at the Zachęta in the Framework of Cultural Cooperation with the German Democratic Republic
The Memory of Opulence and the Freedom of a Pauper: The Constructionmaterial Discourse in the Polish Construction Industry in the Period of the Thaw
The Icons of Military Saints in Rus’. An Attempt at Classifying Iconographic Types from before the Beginning of the 17th Century
Constructing the canon: exhibiting contemporary Polish art abroad in the Cold War era
“Perceived with Hebrew Sense and Hebrew Instinct” – “Close to the Christian Ideal”: Polish Art Criticism on Maurycy Gottlieb’s Christ Preaching at Capernaum (1878–1879)