Search results for phrase "the Central Bureau of Art Exhibitions"
The Exhibition-Organising Activity of the Committee for Cultural Cooperation with Foreign Countries (1950–1956) Based on the Example of Selected Exhibitions at the Zachęta Central Bureau of Art Exhibitions
The Transition to Art: Poster Exhibitions at the Outset of the Poster’s Institutionalisation
Käthe Kollwitz and Otto Nagel: Two Exhibitions of “Progressive Artists” at the Zachęta in the Framework of Cultural Cooperation with the German Democratic Republic
Looking Back at Looking Forward: Art Exhibitions in Poland for the 1975 AICA Congress
The Post-War History of Pictorialism as Exemplifi ed by Exhibitions at the Zachęta and the Kordegarda (1953–1970)
Kobro and Strzemiński: Łódź – Warsaw – Paris (1956–1957)
Towards Socialist Architecture: Architectural Exhibitions at the Zachęta in the Years 1950–1955
The Memory of Opulence and the Freedom of a Pauper: The Constructionmaterial Discourse in the Polish Construction Industry in the Period of the Thaw
“None of us is this Zeuxis Heracleotes”: The Illustrational Dilemmas of Cracow Publishers
Reflections of the Hidden Duchess and the Moon King: The Tabula Scalata and the Engaged Beholder in Sixteenth-Century Italy
The Dissident Power of Queer Art and Curating in Central Eastern Europe
Queer Heritage in Central Europe: Desperately Seeking a Queer
‘Through a Microscope from a Telescopic Distance’: Witkacy, Cameron and the Photography of Faces
Architectural Designs Attributed to Simon Pitz in the Collection of the Jesuit Archive in Glatz
Circulation of Queer Ideas in State Socialist Hungarian People’s Republic
The Icons of Military Saints in Rus’. An Attempt at Classifying Iconographic Types from before the Beginning of the 17th Century
Constructing the canon: exhibiting contemporary Polish art abroad in the Cold War era
“Perceived with Hebrew Sense and Hebrew Instinct” – “Close to the Christian Ideal”: Polish Art Criticism on Maurycy Gottlieb’s Christ Preaching at Capernaum (1878–1879)
Applying the Avant-Garde: Display Experience in the Exhibition of Modern Art (1948)
The Changing Perception of the Five Senses