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Queering Alfred Gell’s Art Nexus: Conceptualising Non-normative Relations and Queer Methods in the Art and Ethnological Museum Context
“Unreal, Purely Formal Relations”: Realism in Christian Schad’s Drawings of Queer Nightspots for Ein Führer durch das ‘lasterhafte’ Berlin (1931)
Archaeology of the present. Israeli art after the Al-Aqsa Intifada
Much Ado About Nothing? Political Contexts of the 15 Polish Painters Exhibition (MoMA, 1961)
Tamara Łempicka: The Polish Contexts
Touring Feminist Realism in Actually Existing Socialism: The Exhibitions and Travels of Danish Artist Dea Trier Mørch across the Iron Curtain, 1962–1989
Käthe Kollwitz and Otto Nagel: Two Exhibitions of “Progressive Artists” at the Zachęta in the Framework of Cultural Cooperation with the German Democratic Republic
The Feminist Agenda and the Brazilian Art System between the 1960s and the 1970s
Healing Touch: Clothed Images of the Virgin in Early Modern Portugal
The Grass is Greener: Władysław Hasior in an Ecocritical Perspective
Face Substances. The rhetoric of Kapists’ self-portraits: between self-reflection and confession
“A work of art is an object that necessitates contemplation”. Latency of visual studies within the Vienna School of Art History?
A State of Latent Life: The Paintings of Olga Boznańska
Gratitude. The Red Army Memorial in Szczecin: A Geographical, Topographical, and Biographical Perspective
The Family of Man in Poland: An Exhibition as a Democratic Space?
The Robe of Corporeality: Sensual Aspects of Medieval Representations of Crucified Christ in the Tunica Manicata
Towards Socialist Architecture: Architectural Exhibitions at the Zachęta in the Years 1950–1955
The Changing Perception of the Five Senses
Smell and Taste in Art: Suggestions towards a Systematic Approach
Entangled History between Semi-Peripheries: Magdalena Abakanowicz’s Fibre Art on the Swedish Art Scene circa 1970