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Queering Alfred Gell’s Art Nexus: Conceptualising Non-normative Relations and Queer Methods in the Art and Ethnological Museum Context
The Icon of the Holy Unmercenaries (Greek: Άγιοι Ανάργυροι) Cosmas and Damian, as Bequeathed by Zofia Ruebenbauer, in the Collection of the National Museum in Cracow
Feminist Museology Applied to the Leipzig Museum of Arts (The MdbK)
Multi-Sensory Approaches to Art in Museum Settings: A Curator’s View
The Kabbalistic Alphabet of Libeskind: The Motif of Letter-shaped Windows in the Design of the Jewish Museum in Berlin
Give the IPS to Szukalski: Stanisław Szukalski’s Bid for the Institute of Art Propaganda
Much Ado About Nothing? Political Contexts of the 15 Polish Painters Exhibition (MoMA, 1961)
The Transition to Art: Poster Exhibitions at the Outset of the Poster’s Institutionalisation
The Family of Man in Poland: An Exhibition as a Democratic Space?
Latin American Women Artists: Subsidiary Human Beings? The Latin American Women Artists, 1915–1995 case
Objects of Embodiment: A “Post-Material Turn” in Exhibiting Lost Material Culture
Looking Back at Looking Forward: Art Exhibitions in Poland for the 1975 AICA Congress
King-Spirit According to Tymon Niesiołowski
The Dissident Power of Queer Art and Curating in Central Eastern Europe
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
Kobro and Strzemiński: Łódź – Warsaw – Paris (1956–1957)
Jakub Banasiak, Proteuszowe czasy. Rozpad państwowego systemu sztuki 1982-1993, Akademia Sztuk Pięknych w Warszawie, Muzeum Sztuki Nowoczesnej w Warszawie, Warszawa, 2020, 596 pp.
