Search results for phrase "cultural exchange"
The Exhibition-Organising Activity of the Committee for Cultural Cooperation with Foreign Countries (1950–1956) Based on the Example of Selected Exhibitions at the Zachęta Central Bureau of Art Exhibitions
Touring Feminist Realism in Actually Existing Socialism: The Exhibitions and Travels of Danish Artist Dea Trier Mørch across the Iron Curtain, 1962–1989
The Role of the Five Senses in Cultural Transmission
Käthe Kollwitz and Otto Nagel: Two Exhibitions of “Progressive Artists” at the Zachęta in the Framework of Cultural Cooperation with the German Democratic Republic
The Impact of Historic Events on the Formation of the Creative Method of Ernest Kontratovych in the Early Period (1930s-1940s)
The Dissident Power of Queer Art and Curating in Central Eastern Europe
Archaeology of the present. Israeli art after the Al-Aqsa Intifada
The Changing Perception of the Five Senses
Entangled History between Semi-Peripheries: Magdalena Abakanowicz’s Fibre Art on the Swedish Art Scene circa 1970
Circulation of Queer Ideas in State Socialist Hungarian People’s Republic
Notes to Continue Thinking about Feminist Artivism in Mexico
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
Blindness as Empathy: The Politics of Touch in Works by Dan Sterup-Hansen
The Transition to Art: Poster Exhibitions at the Outset of the Poster’s Institutionalisation
The Image of the Lithuanian and Ruthenian Legacy of the Jagiellons in 16th-Century Pictorial Catalogues of Polish Monarchs
The Feminist Agenda and the Brazilian Art System between the 1960s and the 1970s
1975 – International Women’s Year and the Exhibitions Organised on this Occasion in Warsaw: A Case Study on State Feminism and Art Through a Revisionist Lens
The Post-War History of Pictorialism as Exemplifi ed by Exhibitions at the Zachęta and the Kordegarda (1953–1970)
Above Standard: Villas Designed by Jan Dudek-Kornecki as a Contribution to the Study of the Housing Culture of Affluent Residents of Poznań in the Last Decades of the People’s Republic of Poland
Objects of Embodiment: A “Post-Material Turn” in Exhibiting Lost Material Culture