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Beyond the Paradigm of Post-1989 Feminist Art History: Researching All-women Exhibitions in Czechoslovakia, Poland and Croatia/Yugoslavia (1945–1989)
“A work of art is an object that necessitates contemplation”. Latency of visual studies within the Vienna School of Art History?
The Post-War History of Pictorialism as Exemplifi ed by Exhibitions at the Zachęta and the Kordegarda (1953–1970)
Between the Stage and the Art Gallery: “Artistic Actions” at the Lublin Theatre Spring in 1973 and 1974
Touring Feminist Realism in Actually Existing Socialism: The Exhibitions and Travels of Danish Artist Dea Trier Mørch across the Iron Curtain, 1962–1989
The Grass is Greener: Władysław Hasior in an Ecocritical Perspective
Queer Heritage in Central Europe: Desperately Seeking a Queer
Towards Socialist Architecture: Architectural Exhibitions at the Zachęta in the Years 1950–1955
Kobro and Strzemiński: Łódź – Warsaw – Paris (1956–1957)
Queer Heritage: Central Europe and Beyond. A Roundtable Discussion
Entangled History between Semi-Peripheries: Magdalena Abakanowicz’s Fibre Art on the Swedish Art Scene circa 1970
The History of Gardens: Geistesgeschichte or Naturgeschichte?
Smell and Taste in Art: Suggestions towards a Systematic Approach
“Our ‘I’ and History”: The Polish Reception of Walter Pater
Looking Back at Looking Forward: Art Exhibitions in Poland for the 1975 AICA Congress
The Exhibition-Organising Activity of the Committee for Cultural Cooperation with Foreign Countries (1950–1956) Based on the Example of Selected Exhibitions at the Zachęta Central Bureau of Art Exhibitions
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
Constructing the canon: exhibiting contemporary Polish art abroad in the Cold War era
Applying the Avant-Garde: Display Experience in the Exhibition of Modern Art (1948)
“None of us is this Zeuxis Heracleotes”: The Illustrational Dilemmas of Cracow Publishers
