Search results for phrase "The Last Supper"
The Retable of the Main Altar from the Parish Church of Saint John the Baptist in Łekno (German: Bast), Dating from 1588
The Image of the Lithuanian and Ruthenian Legacy of the Jagiellons in 16th-Century Pictorial Catalogues of Polish Monarchs
Paolo Pagani’s St. Sebastian in Krakow
Above Standard: Villas Designed by Jan Dudek-Kornecki as a Contribution to the Study of the Housing Culture of Affluent Residents of Poznań in the Last Decades of the People’s Republic of Poland
Healing Touch: Clothed Images of the Virgin in Early Modern Portugal
The Icon of the Holy Unmercenaries (Greek: Άγιοι Ανάργυροι) Cosmas and Damian, as Bequeathed by Zofia Ruebenbauer, in the Collection of the National Museum in Cracow
Applying the Avant-Garde: Display Experience in the Exhibition of Modern Art (1948)
The Dissident Power of Queer Art and Curating in Central Eastern Europe
The Crisis of Impressionism or Claude Monet’s New Realism?
The Globetrotter’s Identity: Michel Sittow in the International Historiographies
Aquatic Imagination or Unweaving the Rainbow: Introduction to Hydro-Stories about American Art
“Mary has filled me with amazement that she gave milk to the One who feeds the multitudes”: Notes on the Byzantine Iconography of Maria Galaktotrophousa
Objects of Embodiment: A “Post-Material Turn” in Exhibiting Lost Material Culture
Reflections of the Hidden Duchess and the Moon King: The Tabula Scalata and the Engaged Beholder in Sixteenth-Century Italy
“Remnant of the Golden Age”: Franciscus Junius on the Love of Art
Käthe Kollwitz and Otto Nagel: Two Exhibitions of “Progressive Artists” at the Zachęta in the Framework of Cultural Cooperation with the German Democratic Republic
The Memory of Opulence and the Freedom of a Pauper: The Constructionmaterial Discourse in the Polish Construction Industry in the Period of the Thaw
The Icons of Military Saints in Rus’. An Attempt at Classifying Iconographic Types from before the Beginning of the 17th Century
Constructing the canon: exhibiting contemporary Polish art abroad in the Cold War era
“Perceived with Hebrew Sense and Hebrew Instinct” – “Close to the Christian Ideal”: Polish Art Criticism on Maurycy Gottlieb’s Christ Preaching at Capernaum (1878–1879)