Search results for phrase "The First National Exposition of Architectural Design (OPA)"
Towards Socialist Architecture: Architectural Exhibitions at the Zachęta in the Years 1950–1955
The Icon of the Holy Unmercenaries (Greek: Άγιοι Ανάργυροι) Cosmas and Damian, as Bequeathed by Zofia Ruebenbauer, in the Collection of the National Museum in Cracow
Tamara Łempicka: The Polish Contexts
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
The Image of the Lithuanian and Ruthenian Legacy of the Jagiellons in 16th-Century Pictorial Catalogues of Polish Monarchs
“Slavic” or “Germanic Spirit”? Examples of the Ideologisation of Arcades in Research on Architecture in the 19th and 20th centuries
The So-called Copernicus’ Chapel: a Jubilee Creation in the Gothic St John’s Cathedral in Toruń
‘Through a Microscope from a Telescopic Distance’: Witkacy, Cameron and the Photography of Faces
The Globetrotter’s Identity: Michel Sittow in the International Historiographies
Gratitude. The Red Army Memorial in Szczecin: A Geographical, Topographical, and Biographical Perspective
Applying the Avant-Garde: Display Experience in the Exhibition of Modern Art (1948)
Tobacco’s Appeal to the Senses and the Early Modern Smoker’s Still Life
Modernity and Compromise: The Church of St. Michael the Archangel in Warsaw and its Designer Władysław Pieńkowski
“A work of art is an object that necessitates contemplation”. Latency of visual studies within the Vienna School of Art History?
Reflections of the Hidden Duchess and the Moon King: The Tabula Scalata and the Engaged Beholder in Sixteenth-Century Italy
Exhibitions of Sculpture as a Sign of the Spatial Shift: From Spring Salon to Sculpture in the Garden
Latin American Women Artists: Subsidiary Human Beings? The Latin American Women Artists, 1915–1995 case
From Red Ruthenia to Rawa Mazowiecka: the Works of the Anonymous “Master of Pełczyska” as a Contribution to the Geography of Rococo Sculpture in Mazovia
Left / abandoned / post-German. Late Gothic Silesian Retables and Their New Settings in the Monastery Church in Mogiła (Cracow), and the Cathedrals in Warsaw and Poznań in the 1940s and 1950s
“Unreal, Purely Formal Relations”: Realism in Christian Schad’s Drawings of Queer Nightspots for Ein Führer durch das ‘lasterhafte’ Berlin (1931)