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‘Through a Microscope from a Telescopic Distance’: Witkacy, Cameron and the Photography of Faces

The Post-War History of Pictorialism as Exemplifi ed by Exhibitions at the Zachęta and the Kordegarda (1953–1970)

Defining Reality: Photography and the Surrealist Concept of the Image in Poland in the 1940s

The Family of Man in Poland: An Exhibition as a Democratic Space?

“Ethnology Has Introduced Law and Order”: Remarks on the Works of Bronisław Malinowski as a “Hybrid Activity”