Search results for phrase "Polish modern painting"
Face Substances. The rhetoric of Kapists’ self-portraits: between self-reflection and confession
Constructing the canon: exhibiting contemporary Polish art abroad in the Cold War era
“Perceived with Hebrew Sense and Hebrew Instinct” – “Close to the Christian Ideal”: Polish Art Criticism on Maurycy Gottlieb’s Christ Preaching at Capernaum (1878–1879)
Much Ado About Nothing? Political Contexts of the 15 Polish Painters Exhibition (MoMA, 1961)
The Exhibition-Organising Activity of the Committee for Cultural Cooperation with Foreign Countries (1950–1956) Based on the Example of Selected Exhibitions at the Zachęta Central Bureau of Art Exhibitions
Applying the Avant-Garde: Display Experience in the Exhibition of Modern Art (1948)
The Post-War History of Pictorialism as Exemplifi ed by Exhibitions at the Zachęta and the Kordegarda (1953–1970)
Modernist Architecture in Illustrative Art for Children and Teenagers in the People’s Republic of Poland
Entangled History between Semi-Peripheries: Magdalena Abakanowicz’s Fibre Art on the Swedish Art Scene circa 1970
The Family of Man in Poland: An Exhibition as a Democratic Space?
Kobro and Strzemiński: Łódź – Warsaw – Paris (1956–1957)
Defining Reality: Photography and the Surrealist Concept of the Image in Poland in the 1940s
An Apartment as a National Issue: On the Exhibitions of the Polish Applied Art Society at the Zachęta Gallery in 1902 and 1908
The Image of the Lithuanian and Ruthenian Legacy of the Jagiellons in 16th-Century Pictorial Catalogues of Polish Monarchs
Turning “Polish Boxes into German Houses”: On the Transformations of Architecture in Poland during the Second World War as Exemplified by the Changing Design of the Zajdensznir Tenement in Radom
A Church for the Polish People: On the Contest for the Parochial Church in the Warsaw District of Praga
Tamara Łempicka: The Polish Contexts
“Our ‘I’ and History”: The Polish Reception of Walter Pater
The Memory of Opulence and the Freedom of a Pauper: The Constructionmaterial Discourse in the Polish Construction Industry in the Period of the Thaw
‘Through a Microscope from a Telescopic Distance’: Witkacy, Cameron and the Photography of Faces