Search results for phrase "Polish exhibitions"
Applying the Avant-Garde: Display Experience in the Exhibition of Modern Art (1948)
Tamara Łempicka: The Polish Contexts
An Apartment as a National Issue: On the Exhibitions of the Polish Applied Art Society at the Zachęta Gallery in 1902 and 1908
The Post-War History of Pictorialism as Exemplifi ed by Exhibitions at the Zachęta and the Kordegarda (1953–1970)
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
Towards Socialist Architecture: Architectural Exhibitions at the Zachęta in the Years 1950–1955
Beyond the Paradigm of Post-1989 Feminist Art History: Researching All-women Exhibitions in Czechoslovakia, Poland and Croatia/Yugoslavia (1945–1989)
Looking Back at Looking Forward: Art Exhibitions in Poland for the 1975 AICA Congress
Constructing the canon: exhibiting contemporary Polish art abroad in the Cold War era
1975 – International Women’s Year and the Exhibitions Organised on this Occasion in Warsaw: A Case Study on State Feminism and Art Through a Revisionist Lens
The Exhibition-Organising Activity of the Committee for Cultural Cooperation with Foreign Countries (1950–1956) Based on the Example of Selected Exhibitions at the Zachęta Central Bureau of Art Exhibitions
Kobro and Strzemiński: Łódź – Warsaw – Paris (1956–1957)
Above Standard: Villas Designed by Jan Dudek-Kornecki as a Contribution to the Study of the Housing Culture of Affluent Residents of Poznań in the Last Decades of the People’s Republic of Poland
The Grass is Greener: Władysław Hasior in an Ecocritical Perspective
Entangled History between Semi-Peripheries: Magdalena Abakanowicz’s Fibre Art on the Swedish Art Scene circa 1970
The Family of Man in Poland: An Exhibition as a Democratic Space?
Much Ado About Nothing? Political Contexts of the 15 Polish Painters Exhibition (MoMA, 1961)
The Image of the Lithuanian and Ruthenian Legacy of the Jagiellons in 16th-Century Pictorial Catalogues of Polish Monarchs
Turning “Polish Boxes into German Houses”: On the Transformations of Architecture in Poland during the Second World War as Exemplified by the Changing Design of the Zajdensznir Tenement in Radom
“Perceived with Hebrew Sense and Hebrew Instinct” – “Close to the Christian Ideal”: Polish Art Criticism on Maurycy Gottlieb’s Christ Preaching at Capernaum (1878–1879)