Search results for phrase "Polish art abroad"
Constructing the canon: exhibiting contemporary Polish art abroad in the Cold War era
Tamara Łempicka: The Polish Contexts
Kobro and Strzemiński: Łódź – Warsaw – Paris (1956–1957)
“Perceived with Hebrew Sense and Hebrew Instinct” – “Close to the Christian Ideal”: Polish Art Criticism on Maurycy Gottlieb’s Christ Preaching at Capernaum (1878–1879)
Much Ado About Nothing? Political Contexts of the 15 Polish Painters Exhibition (MoMA, 1961)
Looking Back at Looking Forward: Art Exhibitions in Poland for the 1975 AICA Congress
‘Through a Microscope from a Telescopic Distance’: Witkacy, Cameron and the Photography of Faces
An Apartment as a National Issue: On the Exhibitions of the Polish Applied Art Society at the Zachęta Gallery in 1902 and 1908
Edward Trojanowski: The Search for Style in Early 20th-century Furniture Design in Poland
Left / abandoned / post-German. Late Gothic Silesian Retables and Their New Settings in the Monastery Church in Mogiła (Cracow), and the Cathedrals in Warsaw and Poznań in the 1940s and 1950s
Modernist Architecture in Illustrative Art for Children and Teenagers in the People’s Republic of Poland
Applying the Avant-Garde: Display Experience in the Exhibition of Modern Art (1948)
“Our ‘I’ and History”: The Polish Reception of Walter Pater
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
Beyond the Paradigm of Post-1989 Feminist Art History: Researching All-women Exhibitions in Czechoslovakia, Poland and Croatia/Yugoslavia (1945–1989)
Entangled History between Semi-Peripheries: Magdalena Abakanowicz’s Fibre Art on the Swedish Art Scene circa 1970
Give the IPS to Szukalski: Stanisław Szukalski’s Bid for the Institute of Art Propaganda
The Exhibition-Organising Activity of the Committee for Cultural Cooperation with Foreign Countries (1950–1956) Based on the Example of Selected Exhibitions at the Zachęta Central Bureau of Art Exhibitions
1975 – International Women’s Year and the Exhibitions Organised on this Occasion in Warsaw: A Case Study on State Feminism and Art Through a Revisionist Lens
The Post-War History of Pictorialism as Exemplifi ed by Exhibitions at the Zachęta and the Kordegarda (1953–1970)