Search results for phrase "Poland – politics and architecture"
The Memory of Opulence and the Freedom of a Pauper: The Constructionmaterial Discourse in the Polish Construction Industry in the Period of the Thaw
“Slavic” or “Germanic Spirit”? Examples of the Ideologisation of Arcades in Research on Architecture in the 19th and 20th centuries
Towards Socialist Architecture: Architectural Exhibitions at the Zachęta in the Years 1950–1955
Modernity and Compromise: The Church of St. Michael the Archangel in Warsaw and its Designer Władysław Pieńkowski
Looking Back at Looking Forward: Art Exhibitions in Poland for the 1975 AICA Congress
Beyond the Paradigm of Post-1989 Feminist Art History: Researching All-women Exhibitions in Czechoslovakia, Poland and Croatia/Yugoslavia (1945–1989)
The Dissident Power of Queer Art and Curating in Central Eastern Europe
The Family of Man in Poland: An Exhibition as a Democratic Space?
The Transition to Art: Poster Exhibitions at the Outset of the Poster’s Institutionalisation
Circulation of Queer Ideas in State Socialist Hungarian People’s Republic
The Exhibition-Organising Activity of the Committee for Cultural Cooperation with Foreign Countries (1950–1956) Based on the Example of Selected Exhibitions at the Zachęta Central Bureau of Art Exhibitions
Much Ado About Nothing? Political Contexts of the 15 Polish Painters Exhibition (MoMA, 1961)
Defining Reality: Photography and the Surrealist Concept of the Image in Poland in the 1940s
The Image of the Lithuanian and Ruthenian Legacy of the Jagiellons in 16th-Century Pictorial Catalogues of Polish Monarchs
Turning “Polish Boxes into German Houses”: On the Transformations of Architecture in Poland during the Second World War as Exemplified by the Changing Design of the Zajdensznir Tenement in Radom
Modernist Architecture in Illustrative Art for Children and Teenagers in the People’s Republic of Poland
Edward Trojanowski: The Search for Style in Early 20th-century Furniture Design in Poland
Above Standard: Villas Designed by Jan Dudek-Kornecki as a Contribution to the Study of the Housing Culture of Affluent Residents of Poznań in the Last Decades of the People’s Republic of Poland
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
From Red Ruthenia to Rawa Mazowiecka: the Works of the Anonymous “Master of Pełczyska” as a Contribution to the Geography of Rococo Sculpture in Mazovia