Search results for phrase "Poland – 20th century architecture"
The Memory of Opulence and the Freedom of a Pauper: The Constructionmaterial Discourse in the Polish Construction Industry in the Period of the Thaw
“Slavic” or “Germanic Spirit”? Examples of the Ideologisation of Arcades in Research on Architecture in the 19th and 20th centuries
Modernity and Compromise: The Church of St. Michael the Archangel in Warsaw and its Designer Władysław Pieńkowski
Edward Trojanowski: The Search for Style in Early 20th-century Furniture Design in Poland
The Family of Man in Poland: An Exhibition as a Democratic Space?
“Our ‘I’ and History”: The Polish Reception of Walter Pater
Much Ado About Nothing? Political Contexts of the 15 Polish Painters Exhibition (MoMA, 1961)
Gratitude. The Red Army Memorial in Szczecin: A Geographical, Topographical, and Biographical Perspective
Constructing the canon: exhibiting contemporary Polish art abroad in the Cold War era
1975 – International Women’s Year and the Exhibitions Organised on this Occasion in Warsaw: A Case Study on State Feminism and Art Through a Revisionist Lens
Beyond the Paradigm of Post-1989 Feminist Art History: Researching All-women Exhibitions in Czechoslovakia, Poland and Croatia/Yugoslavia (1945–1989)
Defining Reality: Photography and the Surrealist Concept of the Image in Poland in the 1940s
Looking Back at Looking Forward: Art Exhibitions in Poland for the 1975 AICA Congress
Turning “Polish Boxes into German Houses”: On the Transformations of Architecture in Poland during the Second World War as Exemplified by the Changing Design of the Zajdensznir Tenement in Radom
Modernist Architecture in Illustrative Art for Children and Teenagers in the People’s Republic of Poland
Above Standard: Villas Designed by Jan Dudek-Kornecki as a Contribution to the Study of the Housing Culture of Affluent Residents of Poznań in the Last Decades of the People’s Republic of Poland
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
From Red Ruthenia to Rawa Mazowiecka: the Works of the Anonymous “Master of Pełczyska” as a Contribution to the Geography of Rococo Sculpture in Mazovia
Circulation of Queer Ideas in State Socialist Hungarian People’s Republic
Applying the Avant-Garde: Display Experience in the Exhibition of Modern Art (1948)