Search results for phrase "Poland – 1945-1970"
The Memory of Opulence and the Freedom of a Pauper: The Constructionmaterial Discourse in the Polish Construction Industry in the Period of the Thaw
Left / abandoned / post-German. Late Gothic Silesian Retables and Their New Settings in the Monastery Church in Mogiła (Cracow), and the Cathedrals in Warsaw and Poznań in the 1940s and 1950s
Constructing the canon: exhibiting contemporary Polish art abroad in the Cold War era
Looking Back at Looking Forward: Art Exhibitions in Poland for the 1975 AICA Congress
Defining Reality: Photography and the Surrealist Concept of the Image in Poland in the 1940s
1975 – International Women’s Year and the Exhibitions Organised on this Occasion in Warsaw: A Case Study on State Feminism and Art Through a Revisionist Lens
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
Gratitude. The Red Army Memorial in Szczecin: A Geographical, Topographical, and Biographical Perspective
Modernity and Compromise: The Church of St. Michael the Archangel in Warsaw and its Designer Władysław Pieńkowski
Towards Socialist Architecture: Architectural Exhibitions at the Zachęta in the Years 1950–1955
The Exhibition-Organising Activity of the Committee for Cultural Cooperation with Foreign Countries (1950–1956) Based on the Example of Selected Exhibitions at the Zachęta Central Bureau of Art Exhibitions
The Organic Quality of Visual Form: The Artistic Bond between Zdzisław Ruszkowski and Henry Moore
Touring Feminist Realism in Actually Existing Socialism: The Exhibitions and Travels of Danish Artist Dea Trier Mørch across the Iron Curtain, 1962–1989
Käthe Kollwitz and Otto Nagel: Two Exhibitions of “Progressive Artists” at the Zachęta in the Framework of Cultural Cooperation with the German Democratic Republic
Beyond the Paradigm of Post-1989 Feminist Art History: Researching All-women Exhibitions in Czechoslovakia, Poland and Croatia/Yugoslavia (1945–1989)
Applying the Avant-Garde: Display Experience in the Exhibition of Modern Art (1948)
The Family of Man in Poland: An Exhibition as a Democratic Space?
Circulation of Queer Ideas in State Socialist Hungarian People’s Republic
Turning “Polish Boxes into German Houses”: On the Transformations of Architecture in Poland during the Second World War as Exemplified by the Changing Design of the Zajdensznir Tenement in Radom
Modernist Architecture in Illustrative Art for Children and Teenagers in the People’s Republic of Poland