Search results for phrase "Poland"
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The Family of Man in Poland: An Exhibition as a Democratic Space?
Looking Back at Looking Forward: Art Exhibitions in Poland for the 1975 AICA Congress
Defining Reality: Photography and the Surrealist Concept of the Image in Poland in the 1940s
Turning “Polish Boxes into German Houses”: On the Transformations of Architecture in Poland during the Second World War as Exemplified by the Changing Design of the Zajdensznir Tenement in Radom
Beyond the Paradigm of Post-1989 Feminist Art History: Researching All-women Exhibitions in Czechoslovakia, Poland and Croatia/Yugoslavia (1945–1989)
Edward Trojanowski: The Search for Style in Early 20th-century Furniture Design in Poland
Modernist Architecture in Illustrative Art for Children and Teenagers in the People’s Republic of Poland
Above Standard: Villas Designed by Jan Dudek-Kornecki as a Contribution to the Study of the Housing Culture of Affluent Residents of Poznań in the Last Decades of the People’s Republic of Poland
“Slavic” or “Germanic Spirit”? Examples of the Ideologisation of Arcades in Research on Architecture in the 19th and 20th centuries
From Red Ruthenia to Rawa Mazowiecka: the Works of the Anonymous “Master of Pełczyska” as a Contribution to the Geography of Rococo Sculpture in Mazovia
Circulation of Queer Ideas in State Socialist Hungarian People’s Republic
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
Modernity and Compromise: The Church of St. Michael the Archangel in Warsaw and its Designer Władysław Pieńkowski
The Transition to Art: Poster Exhibitions at the Outset of the Poster’s Institutionalisation
Architectural Designs Attributed to Simon Pitz in the Collection of the Jesuit Archive in Glatz
Two Orthodox Churches (the Old and the New) of the Holy Apostles Peter and Paul in Kalisz
Towards Socialist Architecture: Architectural Exhibitions at the Zachęta in the Years 1950–1955
Left / abandoned / post-German. Late Gothic Silesian Retables and Their New Settings in the Monastery Church in Mogiła (Cracow), and the Cathedrals in Warsaw and Poznań in the 1940s and 1950s
“Our ‘I’ and History”: The Polish Reception of Walter Pater
Applying the Avant-Garde: Display Experience in the Exhibition of Modern Art (1948)
