Search results for phrase "Hans Sedlmayr"
“A work of art is an object that necessitates contemplation”. Latency of visual studies within the Vienna School of Art History?
The Globetrotter’s Identity: Michel Sittow in the International Historiographies
“Mary has filled me with amazement that she gave milk to the One who feeds the multitudes”: Notes on the Byzantine Iconography of Maria Galaktotrophousa
“Ethnology Has Introduced Law and Order”: Remarks on the Works of Bronisław Malinowski as a “Hybrid Activity”
The Impact of Historic Events on the Formation of the Creative Method of Ernest Kontratovych in the Early Period (1930s-1940s)
From Rio de la Plata to the Extreme West: Feminist Historiographies of Art and Artistic Activism in Argentina and Chile
Blindness as Empathy: The Politics of Touch in Works by Dan Sterup-Hansen
Paolo Pagani’s St. Sebastian in Krakow
From Red Ruthenia to Rawa Mazowiecka: the Works of the Anonymous “Master of Pełczyska” as a Contribution to the Geography of Rococo Sculpture in Mazovia
The Feminist Agenda and the Brazilian Art System between the 1960s and the 1970s
Aquatic Imagination or Unweaving the Rainbow: Introduction to Hydro-Stories about American Art
The Crisis of Impressionism or Claude Monet’s New Realism?
Tamara Łempicka: The Polish Contexts
Kobro and Strzemiński: Łódź – Warsaw – Paris (1956–1957)
Beyond the Paradigm of Post-1989 Feminist Art History: Researching All-women Exhibitions in Czechoslovakia, Poland and Croatia/Yugoslavia (1945–1989)
The Icon of the Holy Unmercenaries (Greek: Άγιοι Ανάργυροι) Cosmas and Damian, as Bequeathed by Zofia Ruebenbauer, in the Collection of the National Museum in Cracow
Give the IPS to Szukalski: Stanisław Szukalski’s Bid for the Institute of Art Propaganda
The Image of the Lithuanian and Ruthenian Legacy of the Jagiellons in 16th-Century Pictorial Catalogues of Polish Monarchs
Healing Touch: Clothed Images of the Virgin in Early Modern Portugal
Above Standard: Villas Designed by Jan Dudek-Kornecki as a Contribution to the Study of the Housing Culture of Affluent Residents of Poznań in the Last Decades of the People’s Republic of Poland