Search results for phrase "Exhibitions"
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Exhibitions of Sculpture as a Sign of the Spatial Shift: From Spring Salon to Sculpture in the Garden
Towards Socialist Architecture: Architectural Exhibitions at the Zachęta in the Years 1950–1955
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
The Transition to Art: Poster Exhibitions at the Outset of the Poster’s Institutionalisation
Meetings: Exhibitions of Women’s Art Curated by Izabella Gustowska
Beyond the Paradigm of Post-1989 Feminist Art History: Researching All-women Exhibitions in Czechoslovakia, Poland and Croatia/Yugoslavia (1945–1989)
Looking Back at Looking Forward: Art Exhibitions in Poland for the 1975 AICA Congress
Käthe Kollwitz and Otto Nagel: Two Exhibitions of “Progressive Artists” at the Zachęta in the Framework of Cultural Cooperation with the German Democratic Republic
1975 – International Women’s Year and the Exhibitions Organised on this Occasion in Warsaw: A Case Study on State Feminism and Art Through a Revisionist Lens
An Apartment as a National Issue: On the Exhibitions of the Polish Applied Art Society at the Zachęta Gallery in 1902 and 1908
The Post-War History of Pictorialism as Exemplifi ed by Exhibitions at the Zachęta and the Kordegarda (1953–1970)
Touring Feminist Realism in Actually Existing Socialism: The Exhibitions and Travels of Danish Artist Dea Trier Mørch across the Iron Curtain, 1962–1989
The Exhibition-Organising Activity of the Committee for Cultural Cooperation with Foreign Countries (1950–1956) Based on the Example of Selected Exhibitions at the Zachęta Central Bureau of Art Exhibitions
From Rio de la Plata to the Extreme West: Feminist Historiographies of Art and Artistic Activism in Argentina and Chile
The Dissident Power of Queer Art and Curating in Central Eastern Europe
Kobro and Strzemiński: Łódź – Warsaw – Paris (1956–1957)
Applying the Avant-Garde: Display Experience in the Exhibition of Modern Art (1948)
The Family of Man in Poland: An Exhibition as a Democratic Space?
Tamara Łempicka: The Polish Contexts
The Grass is Greener: Władysław Hasior in an Ecocritical Perspective
