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The Icon of the Holy Unmercenaries (Greek: Άγιοι Ανάργυροι) Cosmas and Damian, as Bequeathed by Zofia Ruebenbauer, in the Collection of the National Museum in Cracow
“None of us is this Zeuxis Heracleotes”: The Illustrational Dilemmas of Cracow Publishers
Left / abandoned / post-German. Late Gothic Silesian Retables and Their New Settings in the Monastery Church in Mogiła (Cracow), and the Cathedrals in Warsaw and Poznań in the 1940s and 1950s
Applying the Avant-Garde: Display Experience in the Exhibition of Modern Art (1948)
The Organic Quality of Visual Form: The Artistic Bond between Zdzisław Ruszkowski and Henry Moore
“Perceived with Hebrew Sense and Hebrew Instinct” – “Close to the Christian Ideal”: Polish Art Criticism on Maurycy Gottlieb’s Christ Preaching at Capernaum (1878–1879)
Architectural Designs Attributed to Simon Pitz in the Collection of the Jesuit Archive in Glatz
Looking Back at Looking Forward: Art Exhibitions in Poland for the 1975 AICA Congress
