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1975 – International Women’s Year and the Exhibitions Organised on this Occasion in Warsaw: A Case Study on State Feminism and Art Through a Revisionist Lens
Looking Back at Looking Forward: Art Exhibitions in Poland for the 1975 AICA Congress
Latin American Women Artists: Subsidiary Human Beings? The Latin American Women Artists, 1915–1995 case
Kobro and Strzemiński: Łódź – Warsaw – Paris (1956–1957)
The Post-War History of Pictorialism as Exemplifi ed by Exhibitions at the Zachęta and the Kordegarda (1953–1970)
Towards Socialist Architecture: Architectural Exhibitions at the Zachęta in the Years 1950–1955
Rubble Warsaw, 1945–1946: Urban Landscaping and Architectural Remains
The Feminist Agenda and the Brazilian Art System between the 1960s and the 1970s
The Exhibition-Organising Activity of the Committee for Cultural Cooperation with Foreign Countries (1950–1956) Based on the Example of Selected Exhibitions at the Zachęta Central Bureau of Art Exhibitions
Between the Stage and the Art Gallery: “Artistic Actions” at the Lublin Theatre Spring in 1973 and 1974
Justyna Balisz-Schmelz, Przeszłość niepokonana. Sztuka niemiecka po 1945 roku jako przestrzeń i medium pamięci [The Unsurmountable Past: The German Post-1945 Art as the Space and Medium of Memory], Kraków, Universitas, 2018, 363 pp.
Entangled History between Semi-Peripheries: Magdalena Abakanowicz’s Fibre Art on the Swedish Art Scene circa 1970
Left / abandoned / post-German. Late Gothic Silesian Retables and Their New Settings in the Monastery Church in Mogiła (Cracow), and the Cathedrals in Warsaw and Poznań in the 1940s and 1950s
Beyond the Paradigm of Post-1989 Feminist Art History: Researching All-women Exhibitions in Czechoslovakia, Poland and Croatia/Yugoslavia (1945–1989)
From Rio de la Plata to the Extreme West: Feminist Historiographies of Art and Artistic Activism in Argentina and Chile
Gratitude. The Red Army Memorial in Szczecin: A Geographical, Topographical, and Biographical Perspective
Meetings: Exhibitions of Women’s Art Curated by Izabella Gustowska
Above Standard: Villas Designed by Jan Dudek-Kornecki as a Contribution to the Study of the Housing Culture of Affluent Residents of Poznań in the Last Decades of the People’s Republic of Poland
Constructing the canon: exhibiting contemporary Polish art abroad in the Cold War era
Käthe Kollwitz and Otto Nagel: Two Exhibitions of “Progressive Artists” at the Zachęta in the Framework of Cultural Cooperation with the German Democratic Republic
![Justyna Balisz-Schmelz, Przeszłość niepokonana. Sztuka niemiecka po 1945 roku
jako przestrzeń i medium pamięci [The Unsurmountable Past: The German Post-1945
Art as the Space and Medium of Memory], Kraków, Universitas, 2018, 363 pp.](https://api.sopw.openform.pl/uploads/thumbs/6a86107d4af1a096728553.png?v=1)
