Search results for phrase "“The Family of Man”"
The Family of Man in Poland: An Exhibition as a Democratic Space?
The Icon of the Holy Unmercenaries (Greek: Άγιοι Ανάργυροι) Cosmas and Damian, as Bequeathed by Zofia Ruebenbauer, in the Collection of the National Museum in Cracow
From Red Ruthenia to Rawa Mazowiecka: the Works of the Anonymous “Master of Pełczyska” as a Contribution to the Geography of Rococo Sculpture in Mazovia
The Memory of Opulence and the Freedom of a Pauper: The Constructionmaterial Discourse in the Polish Construction Industry in the Period of the Thaw
Above Standard: Villas Designed by Jan Dudek-Kornecki as a Contribution to the Study of the Housing Culture of Affluent Residents of Poznań in the Last Decades of the People’s Republic of Poland
Relief with Crucifixion Scene in St Martin’s Church in Jawor – the Oldest Silesian Pictorial Epitaph and its Ideological and Artistic Contexts
Käthe Kollwitz and Otto Nagel: Two Exhibitions of “Progressive Artists” at the Zachęta in the Framework of Cultural Cooperation with the German Democratic Republic
The Dissident Power of Queer Art and Curating in Central Eastern Europe
The Icons of Military Saints in Rus’. An Attempt at Classifying Iconographic Types from before the Beginning of the 17th Century
Constructing the canon: exhibiting contemporary Polish art abroad in the Cold War era
“Perceived with Hebrew Sense and Hebrew Instinct” – “Close to the Christian Ideal”: Polish Art Criticism on Maurycy Gottlieb’s Christ Preaching at Capernaum (1878–1879)
Applying the Avant-Garde: Display Experience in the Exhibition of Modern Art (1948)
The Changing Perception of the Five Senses
A Church for the Polish People: On the Contest for the Parochial Church in the Warsaw District of Praga
“Our ‘I’ and History”: The Polish Reception of Walter Pater
“The War Brought Us Close and the Peace Will Not Divide Us”: Exhibitions of Art from Czechoslovakia in Warsaw in the Late 1940s
Old Believers and the World of Evil: Images of Evil Forces in Old Believer Art
The Impact of Historic Events on the Formation of the Creative Method of Ernest Kontratovych in the Early Period (1930s-1940s)
The Exhibition-Organising Activity of the Committee for Cultural Cooperation with Foreign Countries (1950–1956) Based on the Example of Selected Exhibitions at the Zachęta Central Bureau of Art Exhibitions
The Organic Quality of Visual Form: The Artistic Bond between Zdzisław Ruszkowski and Henry Moore